Shipping This Week
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2024/03/29 |
21 Savage |
American Dream (2LP/clear red vinyl) |
Hip Hop |
196588202810 |
EPIC |
LP |
19658820281 |
2024/03/29 |
Aesop Rock |
Daylight EP
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March 29 street date. Originally released in 2002, "Daylight" was the follow-up to Aesop Rock's critically-acclaimed "Labor Days" album, a cult classic released only six months prior. The EP was built around its titular opening song, "Daylight", one of the standout tracks from "Labor Days", and continued expanding upon the range and depth of Aesop's multi-talented gifts for writing and producing. In addition to the title track, Daylight also included its counterpoint, "Night Light", an alternate version in concept whose paraphrased lyrics simultaneously refer back to - and stand in stark opposition to - the original's, over darker, more menacing production. The tracklist for "Daylight" boasted seven songs, although there was a hidden track as well making a total of eight, that collectively featured production by Blockhead, El-P, Blueprint and Aesop Rock himself, as well as a guest verse from Blueprint.
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Hip Hop |
826257035424 |
RHYMESAYERS |
CD |
RSE354 |
2024/03/29 |
Aesop Rock |
Daylight EP (orange & blue vinyl)
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March 29 street date. Originally released in 2002, "Daylight" was the follow-up to Aesop Rock's critically-acclaimed "Labor Days" album, a cult classic released only six months prior. The EP was built around its titular opening song, "Daylight", one of the standout tracks from "Labor Days", and continued expanding upon the range and depth of Aesop's multi-talented gifts for writing and producing. In addition to the title track, Daylight also included its counterpoint, "Night Light", an alternate version in concept whose paraphrased lyrics simultaneously refer back to - and stand in stark opposition to - the original's, over darker, more menacing production. The tracklist for "Daylight" boasted seven songs, although there was a hidden track as well making a total of eight, that collectively featured production by Blockhead, El-P, Blueprint and Aesop Rock himself, as well as a guest verse from Blueprint. At the time of its initial release, "Daylight" was only offered in CD and digital formats, while the vinyl was stripped back, available only as a three-song 12" single. Now, Rhymesayers Entertainment is pleased to present the complete EP on vinyl for the first time ever, pressed on two-colour side A/B effect orange & blue vinyl to complement the original artwork.
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Hip Hop |
826257035417 |
RHYMESAYERS |
LP |
RSE354LPC1 |
2024/03/29 |
Akademie Fur Alte Musik Berlin |
Handel: Dixit Dominus, Laudate pueri, Nisi Dominus
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March 29 street date. It was in Rome, where he resided between 1707 and 1710, that the young Handel composed these three dazzling sacred works. The Akademie für Alte Musik Berlin and the RIAS Kammerchor give us an extremely lively and colorful reading of these pieces in which the composer showcased his talent: allegiance to the forms of the past, total mastery of counterpoint and, already, a unique feeling for storytelling. Everything here announces musical genius.
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Classical |
3149020948972 |
HARMONIA MUNDI |
CD |
HMM902723 |
2024/03/29 |
Akae Beka |
Living Testament
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March 29 street date. Vaughn Benjamin, the voice of Midnite and Akae Beka, was one of the best and most prolific reggae vocalists of the modern era. He was a scholar, poet, teacher, and solver of mysteries. A voracious reader, he was incredibly creative - constantly writing poems and songs. Those close to him advise that he had a photographic memory, which helps explain the broad field of topics he discussed with precise detail in his work. He released over 70 albums in a 25-year period. LIVING TESTAMENT is the final album Vaughn Benjamin recorded before he transitioned in November of 2019. In late October of 2019, he travelled to Grass Valley, California, recording this 11-track album at Ras Biblical’s studio, Trinity Farm, over a period of 2 days. The producers gathered 11 masterful musicians on these tracks, including Manuel “Go A Chant” Guerra, Denfield “Ras Pulse” Potter, Walker Pillow, Scott Lynwood Davis, Befekadu Assefa and Tuff Lion. Together, these musicians weaved together a powerful family of songs that that tell a timeless and truly unique story, a masterpiece of roots reggae.
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Reggae/Dub |
6553907015416 |
I-ROOTS |
LP |
6553907015416 |
2024/03/29 |
Akae Beka |
Living Testament
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March 29 street date. Vaughn Benjamin, the voice of Midnite and Akae Beka, was one of the best and most prolific reggae vocalists of the modern era. He was a scholar, poet, teacher, and solver of mysteries. A voracious reader, he was incredibly creative - constantly writing poems and songs. Those close to him advise that he had a photographic memory, which helps explain the broad field of topics he discussed with precise detail in his work. He released over 70 albums in a 25-year period. LIVING TESTAMENT is the final album Vaughn Benjamin recorded before he transitioned in November of 2019. In late October of 2019, he travelled to Grass Valley, California, recording this 11-track album at Ras Biblical’s studio, Trinity Farm, over a period of 2 days. The producers gathered 11 masterful musicians on these tracks, including Manuel “Go A Chant” Guerra, Denfield “Ras Pulse” Potter, Walker Pillow, Scott Lynwood Davis, Befekadu Assefa and Tuff Lion. Together, these musicians weaved together a powerful family of songs that that tell a timeless and truly unique story, a masterpiece of roots reggae.
View all titles by this artist
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Reggae/Dub |
666449208195 |
I-ROOTS |
CD |
666449208195 |
2024/03/29 |
Akae Beka / Fikir Amlak |
Stability / Walk With Jah
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Reggae/Dub |
762185290323 |
I-ROOTS |
10" |
IRRAR100031 |
2024/03/29 |
Alcatrazz |
Rock Justice: Complete Recordings 1983-1986 (4CD)
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January 26 street date. Singer Graham Bonnet had already enjoyed a long career when Alcatrazz came together in 1983. Formed by Bonnet, former New England and Warrior members Jimmy Waldo on keyboards, and Gary Shea on bass, and with a line-up completed by Jan Uvena on drums, 1983's "No Parole From Rock 'N' Roll" is notable for the first mainstream success of lead guitarist Yngwie J. Malmsteen, having previously appeared on the eponymous LP by LA rockers Steeler. That album is included in this comprehensive collection along with "Disturbing The Peace (1985) and "Dangerous Games" (1986) and is completed with "Capitol Crimes - The Unreleased Sessions (1985-1986)", a new collection of rare and unreleased tracks recently unearthed from the vaults.
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Metal |
5013929929821 |
HEAR NO EVIL |
CD |
HNE4BOX198 |
2024/03/29 |
All Time Low |
MTV Unplugged (electric blue) |
Alternative/Punk |
790692706013 |
HOPELESS |
LP |
HR70601 |
2024/03/29 |
Allred, Joseph |
Folk Guitar
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March 29 street date. Folk Guitar is the newest release from Joseph Allred, following What Strange Flowers Grow in the Shade (FTR656LP). Inspired by 16th-century composer John Dowland, as well as the solo work of Pentangle's John Renbourn. RIYL: Robbie Basho, John Pearse, Sappho.
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Folk |
769791985070 |
FEEDING TUBE |
LP |
FTR758LP |
2024/03/29 |
Alpheus |
Unify
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March 29 street date. Alpheus' brand-new album 'Unify' produced by Roberto Sánchez is here for you! This is their fifth album together, and yet again they have left no stone unturned, attention to detail is clear! A Fourth release of an Alpheus album by well-renowned 'Liquidator Music Label', available on both Vinyl LP and all Digital Platforms. On this meticulously written and produced album, you will enjoy 12 brilliant tracks. Original compositions of Ska Rocksteady, Roots Rocksteady, and Early Reggae played by the talented 'Lone Ark Riddim Force Band' in a traditional style. In fact, all the musicians were in the same room at the same time in Lone Ark Studio, attentive and intent on making the rhythm tracks authentically to give us the original sound, in golden era fashion. 'Unify', the title track of this superb fifth album from this talented duo, certainly hits the right nerves, at a time when we need to live together with Peace and Unity in this world. There is no doubt that this is another quality connoisseur's and collector's item, from this team, that will stand the test of time for years to come.
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Ska |
8447053032480 |
LIQUIDATOR |
LP |
LQ163 |
2024/03/29 |
Ana Frango Elétrico |
Me Chama De Gato Que Eu Sou Sua (black vinyl)
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March 29 street date. New vinyl pressing (the other editions are no longer available). With two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana Frango Elétrico present their most confident and accomplished work to date, "Me Chama De Gato Que Eu Sou Sua". Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride. The new album finds Ana at their most assured and full voiced. Lyrically, where Ana was once oblique on personal matters, they are now forthright - lucidly exploring their gender identity, citing accessible cultural references, and often singing in English.
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Brazilian |
7119691298818 |
MR BONGO |
LP |
MRBLP273B |
2024/03/29 |
Anetha |
Mothearth (2LP + poster)
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March 29 street date. Anetha presents her inaugural solo album under her own label Mama Told Ya, marking a significant milestone in her career. Mothearth is a celebration of Anetha's decade-long journey in the music industry. It also commemorates the fifth anniversary of her label and its 12th release. Anetha is set to unveil not only her musical prowess but also her critical insights into the music industry and society at large, representing a significant moment of artistic revelation and self- expression. Definitely post-club, freed from the codes, engaged, this landmark album serves as a declarative statement for Anetha, an assertion that she wants to explore the entire spectrum of electronic music. Mothearth includes two LPs and ten tracks. All of them are produced by Anetha. Mix and mastering by Le Dom. Artwork by Elmo Mis
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Electronic |
3516628447518 |
MAMA TOLD YA |
LP |
MTY010 |
2024/03/29 |
As One |
Reflections (30th Anniversary Edition) (2LP)
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March 29 street date. Although 30 years after its birth this fundamental electronic gem called Reflections has achieved cult status, it is worth remembering that it all started in 1993 in a small apartment in Waterloo, London, with the help of a mixer and a bunch of hardware synth and drum machines of hardware, with the mastodontic Oberheim OB-8 synthesizer as the main partner. While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK. Reflections is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early '90s. Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs "The Priestess" -- never released on vinyl before -- and "Forgotten Memory" -- until now unreleased and rediscovered in one of the DATs dating back to 1992 from the Reflections recording sessions. This is the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.
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Electronic |
4062548079418 |
LAPSUS |
LP |
LPSPS015LP |
2024/03/29 |
Azimuth |
Azimuth (John Taylor, Norma Winstone & Kenny Wheeler) Luminessence Series |
Jazz |
602458805413 |
ECM RECORDS |
LP |
5880541 |
2024/03/29 |
Bahamadia |
Kollage (2LP)
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March 29 street date. Bahamadia's 1996 debut album "Kollage" is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, "Kollage" presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics. The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, "Kollage" is, accordingly, a record that demonstrates a varied musical taste with disparate influences.
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Hip Hop |
4251804144131 |
BE WITH RECORDS |
LP |
BEWITH166LP |
2024/03/29 |
Ballew, Scott |
Rio Bravo |
country/folk |
703670454042 |
LA HONDA |
LP |
70367045404 |
2024/03/29 |
BALTHVS |
Third Vibration (cloudy blue vinyl)
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March 29 street date. To change your mood or mental state - change your Vibration' A fragment from the Kyballion has deeply resonated with the band in recent years. Everything is mental, as Above so Below. BALTHVS deeply believes in these tenets, and their manifestation is through music. Melodies that try to resonate deep within and generate a different type of Vibration. From the psychedelic experience arises a more balanced lifestyle, and from arduous and uncertain times rises the desire to have inner peace of mind. Music is medicine for the soul and the trio plays this music to wind down, relax, and be more present. It's music from the 21st century, a time when the world has deeply connected to one another via the digital realm, cultures are now free from geographic boundaries, they influence, mesh, and collide with one another. Turkish melodies meet Latin rhythms, from instrumental tunes to Spanish and English lyrics. The band freely takes from all corners of the world, and it reflects on the global audience they have slowly amassed in the past 4 years. Third Vibration is a celebration of life; a deep respect for the power of music.
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Funk |
0784085100298 |
MIXTO MUSIC |
LP |
MR333LP |
2024/03/29 |
Bayside |
Cult (doublemint) |
Alternative/Punk |
790692705917 |
HOPELESS |
LP |
HR70591 |
2024/03/29 |
Beatles |
From Us To You #3 1964 EP
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March 29 street date. The Beatles returned to the BBC Paris Studio on May 1 for the third of their four "From Us To You" specials that would be broadcast on May 18, 1964. Three of the ten songs played were by their favourite rockabilly star Carl Perkins. "Honey Don't" was later recorded for the "Beatles For Sale" album with Ringo on vocals. On this version however, John sings the lead. "Sure To Fall" was never committed to wax and features a ska break on the bridge, just like they played on "I Call Your Name".
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Rock/Pop |
5060331753537 |
1960'S RECORDS |
7" |
REP054 |
2024/03/29 |
Benoit, Aimee-Jo |
Horns of Hope |
Jazz |
628308830350 |
CHRONOGRAPH |
CD |
CR110 |
2024/03/29 |
Big Boys |
Where's My Towel/Industry Standard (aqua blue vinyl)
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March 29 street date. The debut album, originally released in 1981, from Austin, TX, punk visionaries, Big Boys, now available on limited edition aqua blue vinyl. The Big Boys got their start in the late 1970s Austin punk scene. The band was fronted by the occasionally cross-dressing Randy "Biscuit" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favor of some nice white boy skate funk. Beyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. They even covered Kool & The Gang, never wavering when venturing into uncharted musical territory.
View all titles by this artist
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Alternative/Punk |
036172107032 |
TOUCH & GO
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Touch and Go Records came into existence (sort of) in late 1980, when the Ohio punk band Necros decided they wanted to put out a 7" record. Being in high school at the time (ie: broke), they were aided in this project by their friends Tesco Vee and Dave Stimson, who were the geniuses behind a fanzine called Touch and Go (and who were a little older and had real jobs). The 7"s by the Necros and the Fix (a Michigan punk band) were recorded in late 1980 and released in early 1981, and Touch and Go Records was officially born. Corey Rusk was a member of the Necros, and for the first couple years of Touch and Go Records' life he ran the business part of it from his bedroom in his grandmother's house in Ohio, and Tesco Vee ran the promotional part of it from his apartment in Michigan. Then Tesco moved to Washington DC, leaving the label in Corey's hands. Early releases for Touch and Go consisted mainly of 7" vinyl singles by many of the early '80s Michigan / Ohio hardcore bands, including the Necros, the Meatmen, and Negative Approach. In 1983, Corey left the Necros, and together with his wife and partner in Touch and Go (Lisa Rusk), relocated the label to an apartment in Detroit, Michigan. Touch and Go began to move beyond the hardcore genre, while also increasing the frequency of its release schedule. Releases during this time period included albums from Die Kreuzen, Big Black, Butthole Surfers, Killdozer and many others. At the same time Touch and Go was expanding, Corey and Lisa also started an all ages club in Detroit called the Graystone. The club was financed by Russ Gibb, a generous and supportive school teacher who ran the infamous Grande Ballroom in Detroit in the late '60s. In its heyday, the Grande had been the Detroit home to the likes of the MC5, the Stooges, the Who, Jimi Hendrix, etc... In the mid '80s the Graystone hosted such bands such as Black Flag, Minutemen, Misfits, Big Boys, Big Black, Scratch Acid, Necros, Negative Approach, et al. After a few years in Detroit, Touch and Go moved to a house on the North side of Chicago, Illinois. Energized by its new environs, and by the increasing interest in the records they were releasing, Touch and Go entered a new and rewarding period in its existence, releasing albums by Slint, Scratch Acid, Rapeman, The Jesus Lizard, Didjits, Laughing Hyenas, Urge Overkill, and many others. In 1990, Touch and Go began to provide manufacturing and distribution services for other independent labels who shared similar ideals. Over the past 15 years, Touch and Go is proud to have provided manufacturing and distribution services for such influential labels as All Natural, All Tomorrow's Parties, Atavistic, Cold Crush, Dim Mak, Drag City, Emperor Jones, Estrus, 5RC, Invisible, Konkurrent, Kill Rock Stars, Le Tigre, Merge, Overcoat, Skin Graft, Suicide Squeeze, Thrill Jockey, Trance, Truckstop, and Warm. In keeping with 1990 being a pivotal year, Quarterstick Records, Touch and Go's "sister label," came into being, releasing albums by Henry Rollins, Pegboy, and Mekons. Since its inception, Quarterstick has developed its own individual, eclectic identity through the releases of groups such as the Bad Livers, Calexico, June Of 44, Mule, Rachel's, Rodan, Shannon Wright, Tara Jane O'Neil, The Shipping News, and others. Also around 1990, Corey and Lisa parted ways both personally and professionally. Just before the dawn of the '90s, T&G moved into a run down warehouse on the North side of Chicago. Its new digs provided lots of room to grow; an opportunity that was not wasted. Throughout the 90's, Touch and Go expanded its staff and capacities in an effort to always be the best it could be for the bands and labels it felt so privileged to be associated with. All the hard work paid off, and during the '90s, T&G had the good fortune to be involved with albums by Shellac, Blonde Redhead, The Black Heart Procession, Girls Against Boys, Arcwelder, Dirty Three, Don Caballero, Brick Layer Cake, Seam, Man...Or Astroman?, The Delta 72, Brainiac, Storm and Stress, and many others. Toward the end of the '90s, T&G had outgrown its space in the decrepit warehouse it had inhabited the prior 7 years. The staff had gotten soft and was demanding such outrageous luxuries as heat in the winter and bathrooms that worked. This revolt led to the move to a much better warehouse space a couple miles away. This move led to an even more organized and productive T&G. It was perfect timing, as the 2000s brought more great bands and labels to T&G. Bands such as CocoRosie, Enon, Nina Nastasia, Quasi, Pinback, Supersystem, The EX, The New Year, TV On The Radio, Yeah Yeah Yeahs, and !!!.
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LP |
TG370LPC1 |
2024/03/29 |
Big Boys |
Lullabies Help The Brain Grow (180g-opaque pink vinyl)
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March 29 street date. The sophomore album, originally released in 1983, from Austin, TX, skate-punk stalwarts, Big Boys, now available on limited edition 180 gram pink vinyl. The Big Boys got their start in the late 1970s Austin punk scene. The band was fronted by the occasionally cross-dressing Randy "Biscuit" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favor of some nice white boy skate funk. Beyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. They even covered Kool & The Gang, never wavering when venturing into uncharted musical territory.
View all titles by this artist
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Alternative/Punk |
036172107131 |
TOUCH & GO
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Touch and Go Records came into existence (sort of) in late 1980, when the Ohio punk band Necros decided they wanted to put out a 7" record. Being in high school at the time (ie: broke), they were aided in this project by their friends Tesco Vee and Dave Stimson, who were the geniuses behind a fanzine called Touch and Go (and who were a little older and had real jobs). The 7"s by the Necros and the Fix (a Michigan punk band) were recorded in late 1980 and released in early 1981, and Touch and Go Records was officially born. Corey Rusk was a member of the Necros, and for the first couple years of Touch and Go Records' life he ran the business part of it from his bedroom in his grandmother's house in Ohio, and Tesco Vee ran the promotional part of it from his apartment in Michigan. Then Tesco moved to Washington DC, leaving the label in Corey's hands. Early releases for Touch and Go consisted mainly of 7" vinyl singles by many of the early '80s Michigan / Ohio hardcore bands, including the Necros, the Meatmen, and Negative Approach. In 1983, Corey left the Necros, and together with his wife and partner in Touch and Go (Lisa Rusk), relocated the label to an apartment in Detroit, Michigan. Touch and Go began to move beyond the hardcore genre, while also increasing the frequency of its release schedule. Releases during this time period included albums from Die Kreuzen, Big Black, Butthole Surfers, Killdozer and many others. At the same time Touch and Go was expanding, Corey and Lisa also started an all ages club in Detroit called the Graystone. The club was financed by Russ Gibb, a generous and supportive school teacher who ran the infamous Grande Ballroom in Detroit in the late '60s. In its heyday, the Grande had been the Detroit home to the likes of the MC5, the Stooges, the Who, Jimi Hendrix, etc... In the mid '80s the Graystone hosted such bands such as Black Flag, Minutemen, Misfits, Big Boys, Big Black, Scratch Acid, Necros, Negative Approach, et al. After a few years in Detroit, Touch and Go moved to a house on the North side of Chicago, Illinois. Energized by its new environs, and by the increasing interest in the records they were releasing, Touch and Go entered a new and rewarding period in its existence, releasing albums by Slint, Scratch Acid, Rapeman, The Jesus Lizard, Didjits, Laughing Hyenas, Urge Overkill, and many others. In 1990, Touch and Go began to provide manufacturing and distribution services for other independent labels who shared similar ideals. Over the past 15 years, Touch and Go is proud to have provided manufacturing and distribution services for such influential labels as All Natural, All Tomorrow's Parties, Atavistic, Cold Crush, Dim Mak, Drag City, Emperor Jones, Estrus, 5RC, Invisible, Konkurrent, Kill Rock Stars, Le Tigre, Merge, Overcoat, Skin Graft, Suicide Squeeze, Thrill Jockey, Trance, Truckstop, and Warm. In keeping with 1990 being a pivotal year, Quarterstick Records, Touch and Go's "sister label," came into being, releasing albums by Henry Rollins, Pegboy, and Mekons. Since its inception, Quarterstick has developed its own individual, eclectic identity through the releases of groups such as the Bad Livers, Calexico, June Of 44, Mule, Rachel's, Rodan, Shannon Wright, Tara Jane O'Neil, The Shipping News, and others. Also around 1990, Corey and Lisa parted ways both personally and professionally. Just before the dawn of the '90s, T&G moved into a run down warehouse on the North side of Chicago. Its new digs provided lots of room to grow; an opportunity that was not wasted. Throughout the 90's, Touch and Go expanded its staff and capacities in an effort to always be the best it could be for the bands and labels it felt so privileged to be associated with. All the hard work paid off, and during the '90s, T&G had the good fortune to be involved with albums by Shellac, Blonde Redhead, The Black Heart Procession, Girls Against Boys, Arcwelder, Dirty Three, Don Caballero, Brick Layer Cake, Seam, Man...Or Astroman?, The Delta 72, Brainiac, Storm and Stress, and many others. Toward the end of the '90s, T&G had outgrown its space in the decrepit warehouse it had inhabited the prior 7 years. The staff had gotten soft and was demanding such outrageous luxuries as heat in the winter and bathrooms that worked. This revolt led to the move to a much better warehouse space a couple miles away. This move led to an even more organized and productive T&G. It was perfect timing, as the 2000s brought more great bands and labels to T&G. Bands such as CocoRosie, Enon, Nina Nastasia, Quasi, Pinback, Supersystem, The EX, The New Year, TV On The Radio, Yeah Yeah Yeahs, and !!!.
View all artists from this label |
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LP |
TG371LPC1 |
2024/03/29 |
Big Boys |
No Matter How Long The Line Is At The Cafeteria (180g-purple vinyl)
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March 29 street date. The final album, originally released in 1985, from Austin, TX, punk icons, Big Boys, now available on limited edition 180 gram purple vinyl. The Big Boys got their start in the late 1970s Austin punk scene. The band was fronted by the occasionally cross-dressing Randy "Biscuit" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favor of some nice white boy skate funk. Beyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. They even covered Kool & The Gang, never wavering when venturing into uncharted musical territory.
View all titles by this artist
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Alternative/Punk |
036172107230 |
TOUCH & GO
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Touch and Go Records came into existence (sort of) in late 1980, when the Ohio punk band Necros decided they wanted to put out a 7" record. Being in high school at the time (ie: broke), they were aided in this project by their friends Tesco Vee and Dave Stimson, who were the geniuses behind a fanzine called Touch and Go (and who were a little older and had real jobs). The 7"s by the Necros and the Fix (a Michigan punk band) were recorded in late 1980 and released in early 1981, and Touch and Go Records was officially born. Corey Rusk was a member of the Necros, and for the first couple years of Touch and Go Records' life he ran the business part of it from his bedroom in his grandmother's house in Ohio, and Tesco Vee ran the promotional part of it from his apartment in Michigan. Then Tesco moved to Washington DC, leaving the label in Corey's hands. Early releases for Touch and Go consisted mainly of 7" vinyl singles by many of the early '80s Michigan / Ohio hardcore bands, including the Necros, the Meatmen, and Negative Approach. In 1983, Corey left the Necros, and together with his wife and partner in Touch and Go (Lisa Rusk), relocated the label to an apartment in Detroit, Michigan. Touch and Go began to move beyond the hardcore genre, while also increasing the frequency of its release schedule. Releases during this time period included albums from Die Kreuzen, Big Black, Butthole Surfers, Killdozer and many others. At the same time Touch and Go was expanding, Corey and Lisa also started an all ages club in Detroit called the Graystone. The club was financed by Russ Gibb, a generous and supportive school teacher who ran the infamous Grande Ballroom in Detroit in the late '60s. In its heyday, the Grande had been the Detroit home to the likes of the MC5, the Stooges, the Who, Jimi Hendrix, etc... In the mid '80s the Graystone hosted such bands such as Black Flag, Minutemen, Misfits, Big Boys, Big Black, Scratch Acid, Necros, Negative Approach, et al. After a few years in Detroit, Touch and Go moved to a house on the North side of Chicago, Illinois. Energized by its new environs, and by the increasing interest in the records they were releasing, Touch and Go entered a new and rewarding period in its existence, releasing albums by Slint, Scratch Acid, Rapeman, The Jesus Lizard, Didjits, Laughing Hyenas, Urge Overkill, and many others. In 1990, Touch and Go began to provide manufacturing and distribution services for other independent labels who shared similar ideals. Over the past 15 years, Touch and Go is proud to have provided manufacturing and distribution services for such influential labels as All Natural, All Tomorrow's Parties, Atavistic, Cold Crush, Dim Mak, Drag City, Emperor Jones, Estrus, 5RC, Invisible, Konkurrent, Kill Rock Stars, Le Tigre, Merge, Overcoat, Skin Graft, Suicide Squeeze, Thrill Jockey, Trance, Truckstop, and Warm. In keeping with 1990 being a pivotal year, Quarterstick Records, Touch and Go's "sister label," came into being, releasing albums by Henry Rollins, Pegboy, and Mekons. Since its inception, Quarterstick has developed its own individual, eclectic identity through the releases of groups such as the Bad Livers, Calexico, June Of 44, Mule, Rachel's, Rodan, Shannon Wright, Tara Jane O'Neil, The Shipping News, and others. Also around 1990, Corey and Lisa parted ways both personally and professionally. Just before the dawn of the '90s, T&G moved into a run down warehouse on the North side of Chicago. Its new digs provided lots of room to grow; an opportunity that was not wasted. Throughout the 90's, Touch and Go expanded its staff and capacities in an effort to always be the best it could be for the bands and labels it felt so privileged to be associated with. All the hard work paid off, and during the '90s, T&G had the good fortune to be involved with albums by Shellac, Blonde Redhead, The Black Heart Procession, Girls Against Boys, Arcwelder, Dirty Three, Don Caballero, Brick Layer Cake, Seam, Man...Or Astroman?, The Delta 72, Brainiac, Storm and Stress, and many others. Toward the end of the '90s, T&G had outgrown its space in the decrepit warehouse it had inhabited the prior 7 years. The staff had gotten soft and was demanding such outrageous luxuries as heat in the winter and bathrooms that worked. This revolt led to the move to a much better warehouse space a couple miles away. This move led to an even more organized and productive T&G. It was perfect timing, as the 2000s brought more great bands and labels to T&G. Bands such as CocoRosie, Enon, Nina Nastasia, Quasi, Pinback, Supersystem, The EX, The New Year, TV On The Radio, Yeah Yeah Yeahs, and !!!.
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LP |
TG372LPC1 |
2024/03/29 |
Biram, Scott H. |
The One & Only Scott H. Biram
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March 29 street date. After almost thirty years of tirelessly writing, recording, and touring the front and backroads of America as a solo bluesman - to a wide array of critical accolades - Scott H. Biram found himself, along with much of the world, suddenly stopped cold by the pandemic. Once again unwilling to allow outsized forces slow him down, he took advantage of the shutdown to write, record and produce nine new songs and two traditional covers for his new album, "The One & Only Scott H. Biram", his 13th overall and 9th for Bloodshot Records. The music on "The One and Only Scott H. Biram" has the downhome, in-your-face feel that Biram is noted for. Biram once again proves himself to be an unstoppable force, refusing to bow in the face of outside challenges and demonstrating a unique ability to live up to the traditions of rough-hewn, individualistic Texas-borne music.
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Rock/Blues |
708857031221 |
BLOODSHOT |
CD |
BS312 |
2024/03/29 |
Biram, Scott H. |
The One & Only Scott H. Biram
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March 29 street date. After almost thirty years of tirelessly writing, recording, and touring the front and backroads of America as a solo bluesman - to a wide array of critical accolades - Scott H. Biram found himself, along with much of the world, suddenly stopped cold by the pandemic. Once again unwilling to allow outsized forces slow him down, he took advantage of the shutdown to write, record and produce nine new songs and two traditional covers for his new album, "The One & Only Scott H. Biram", his 13th overall and 9th for Bloodshot Records. The music on "The One and Only Scott H. Biram" has the downhome, in-your-face feel that Biram is noted for. Biram once again proves himself to be an unstoppable force, refusing to bow in the face of outside challenges and demonstrating a unique ability to live up to the traditions of rough-hewn, individualistic Texas-borne music.
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Rock/Blues |
708857031214 |
BLOODSHOT |
LP |
BS312 |
2024/03/29 |
Bishop, Sir Richard |
Saginaw Racket (2LP)
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March 29 street date. Saginaw Racket, the new double album by Sir Richard Bishop, features the first new recordings from the guitarist in over five years. Saginaw Racket is a singular work for electric guitar in four parts with each part being a full side. RIYL: Sun City Girls, Neil Young's Dead Man Soundtrack.
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Rock/Pop |
769791985612 |
UNROCK |
LP |
UNROCK026LP |
2024/03/29 |
Black Flamingo |
An-NUR
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March 29 street date. AN-NÛR, "light" in arabic language, is The Black Flamingo's first LP. Six tracks that go across obsessive rithms, lysergic journey and stoner blows. An-nûr is also the title of the single, a long trip of black holes and solidarity with Palestinian people. The LP has been recorded in Rome, i the "cinque quarti" studio, under the patient supervision of Lorenzo. The Black Flamingo is a stoner-psych instrumental trio, which vibes among space and desert, with a rotten attitude. The band is formed in Rome, literally in the spaces of 30 Formiche club, by Erio Destratis (guru and housekeeper), Tiziano Giammichele (Camion, Cielo Drive) and Mattia Lolli (the Whirlings). Erio soon leaves for a nomad life and his bass is taken by Matteo Nuccetelli (Mad Roller).
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Metal |
0766429143642 |
SUBSOUND |
LP |
SSR129 |
2024/03/29 |
Black Flamingo |
An-NUR (ltd color vinyl)
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March 29 street date. AN-NÛR, "light" in arabic language, is The Black Flamingo's first LP. Six tracks that go across obsessive rithms, lysergic journey and stoner blows. An-nûr is also the title of the single, a long trip of black holes and solidarity with Palestinian people. The LP has been recorded in Rome, i the "cinque quarti" studio, under the patient supervision of Lorenzo. The Black Flamingo is a stoner-psych instrumental trio, which vibes among space and desert, with a rotten attitude. The band is formed in Rome, literally in the spaces of 30 Formiche club, by Erio Destratis (guru and housekeeper), Tiziano Giammichele (Camion, Cielo Drive) and Mattia Lolli (the Whirlings). Erio soon leaves for a nomad life and his bass is taken by Matteo Nuccetelli (Mad Roller).
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Metal |
0766429143659 |
SUBSOUND |
LP |
SSR129LTD |
2024/03/29 |
Blind Pigs |
s/t (color vinyl)
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March 29 street date. Originally released in 2002, the self-titled third LP by São Paulo, Brazil’s Blind Pigs, built upon the momentum the band had been building since its inception in the mid-90s with energetic live shows, touring, and their first two full-lengths, São Paulo Chaos and The Punks Are Alright. It propelled the band to new heights of notability in the worldwide streetpunk scene. The songwriting and playing on this album are dialed in and tight. The band’s melodic, gritty streetpunk sound is driven forward at a pace designed to trigger the sweatiest of circle pits and the most vigorous of pogoing. Originally released only on CD in Brazil, and out of print on vinyl for over a decade, Pirates Press Records is proud to team with Blind Pigs to bring this classic of South American punk rock back in print for the whole world to hear. The first-ever pressing on 12” vinyl on gorgeous 12” Sunspot Marble vinyl.
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Punk |
810096655424 |
PIRATES PRESS |
LP |
PPR392 |
2024/03/29 |
Bodines |
Therese (violet vinyl + poster)
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March 29 street date. Part of the Optic Sevens 5.0 Reissue Series . Limited to 500 copies worldwide. Pressed on violet vinyl. Includes poster. Presented in the alternate 12" sleeve that was used for the original creation release and includes all three tracks on 7" for the first time. Originally released in 1986, this was one of the stand out tracks on the legendary C86 compilation. In 2023, Mojo magazine ranked the song "Therese" as the 37th greatest UK indie record ever, citing it "a breathless romantic gulp of twin guitar twirl."
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Rock/Pop |
5065010051331 |
OPTIC NERVE |
7" |
ON507EP |
2024/03/29 |
Bongzilla |
Dabbing (LIVE) Rosin in Europe
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March 29 street date. Dabbing (LIVE) Rosin in Europe is BONGZILLA brand new live album. All the songs were recorded during "Dabbing Across Europe &UK Tour" in Spring-Summer 2023 !! / A1-B3 Recorded Live at Paradise Island / A2-A3-B2 Recorded Live at Minoga in Poznan, Poland / A4-B1 Recorded Live at Voodoo in Belfast, Ireland / Mixed and Mastered by Shane Trimble at Sletner Sound. Assistant Mix Engineers - Justin DiPinto and Andrew Owens. Cover photos by David Wiggins. Design by Branca Studio.
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Metal |
0694685734208 |
HEAVY PSYCH SOUNDS |
CD |
HPS296 |
2024/03/29 |
Bongzilla |
Dabbing (LIVE) Rosin in Europe
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March 29 street date. Dabbing (LIVE) Rosin in Europe is BONGZILLA brand new live album. All the songs were recorded during "Dabbing Across Europe &UK Tour" in Spring-Summer 2023 !! / A1-B3 Recorded Live at Paradise Island / A2-A3-B2 Recorded Live at Minoga in Poznan, Poland / A4-B1 Recorded Live at Voodoo in Belfast, Ireland / Mixed and Mastered by Shane Trimble at Sletner Sound. Assistant Mix Engineers - Justin DiPinto and Andrew Owens. Cover photos by David Wiggins. Design by Branca Studio.
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Metal |
0694685734215 |
HEAVY PSYCH SOUNDS |
LP |
HPS296LP |
2024/03/29 |
Bongzilla |
Dabbing (LIVE) Rosin in Europe (ltd clear red vinyl)
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March 29 street date. Dabbing (LIVE) Rosin in Europe is BONGZILLA brand new live album. All the songs were recorded during "Dabbing Across Europe &UK Tour" in Spring-Summer 2023 !! / A1-B3 Recorded Live at Paradise Island / A2-A3-B2 Recorded Live at Minoga in Poznan, Poland / A4-B1 Recorded Live at Voodoo in Belfast, Ireland / Mixed and Mastered by Shane Trimble at Sletner Sound. Assistant Mix Engineers - Justin DiPinto and Andrew Owens. Cover photos by David Wiggins. Design by Branca Studio.
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Metal |
0694685734222 |
HEAVY PSYCH SOUNDS |
LP |
HPS296LTD |
2024/03/29 |
Bongzilla |
Dabbing (LIVE) Rosin in Europe (ultra ltd neon green & pink splatter vinyl)
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March 29 street date. Dabbing (LIVE) Rosin in Europe is BONGZILLA brand new live album. All the songs were recorded during "Dabbing Across Europe &UK Tour" in Spring-Summer 2023 !! / A1-B3 Recorded Live at Paradise Island / A2-A3-B2 Recorded Live at Minoga in Poznan, Poland / A4-B1 Recorded Live at Voodoo in Belfast, Ireland / Mixed and Mastered by Shane Trimble at Sletner Sound. Assistant Mix Engineers - Justin DiPinto and Andrew Owens. Cover photos by David Wiggins. Design by Branca Studio.
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Metal |
0694685734239 |
HEAVY PSYCH SOUNDS |
LP |
HPS296ULTRA |
2024/03/29 |
Boundaries |
Death Is Little More
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March 29 street date. Boundaries are a five piece metalcore band based in Hartford, Connecticut. Boundaries' densely layered and massive sound flaunts everything from fast-picked thrash riffing to the melodic underpinnings of early 'oughts metalcore. They have released three full length albums since 2017, and "Death Is Little More" is their newest. The album brings a fresh take on Boundaries' classic metalcore sounds, with new sonic elements and features from members of other prominent hardcore bands. The album has features from Lochie Keogh of Alpha Wolf, Marcus Vik of Invent Animate, and Matt Honeycutt of Kublai Khan TX.
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Metal |
843563173916 |
3DOT RECORDINGS |
CD |
3DOT013CD |
2024/03/29 |
Branigan, Laura |
Branigan (180g red vinyl)
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March 29 street date. Branigan is the debut studio album by American singer Laura Branigan, released in March 1982. The album features guitars by Steve Lukather from Toto. The album's lead single "All Night with Me", reached number 69 on the US Billboard Hot 100, while the second single, an English version of Italian singer Umberto Tozzi's song "Gloria", was a commercial success, propelling Branigan to international prominence. "Gloria" topped the charts in many countries, stayed on the US Billboard Hot 100, and earned Branigan a nomination for the Grammy Award for Best Pop Vocal Performance Female. Branigan is available as a limited edition of 1500 individually numbered copies on red coloured vinyl.
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Rock/Pop |
8719262033764 |
MUSIC ON VINYL |
LP |
MOVLP3682C |
2024/03/29 |
Bruce, Jack |
Smiles & Grins: Broadcast Sessions 1970-2001 (4CD+2blu-ray)
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January 26 street date. "Smiles & Grins" features all the surviving BBC radio and television appearances made by Jack Bruce between 1970 and 2001, along with a wonderful un-broadcast session recorded for the German TV show Beat Club by Lifetime (also featuring Tony Williams, John McLaughlin and Larry Young) filmed around the time of the album ‘Turn It Over’. The BBC material includes two legendary In Concert recordings. The first concert dates from 1971 (with friends Chris Spedding, Graham Bond, John Marshall and Art Themen) and is included in its entirety with the full 18-minute version of ‘Powerhouse Sod’ presented on CD for the first time. The second concert dates from 1977 and features the band Jack assembled for the ‘How's Tricks’ album. Also featured are both audio and video recordings of the 1975 Old Grey Whistle Test special concert with Jack's band featuring Carla Bley, Mick Taylor, Ronnie Leahy, and Bruce Gary. The set also includes a concert from 1981 recorded for The Old Grey Whistle Test, a TV appearance from 1982, and the complete Jazz in Britain sessions from 1971 and 1978 featuring Jack Bruce, Jon Hiseman and John Surman, along with a session for Later with Jools Holland from 2001.
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Rock/Progressive |
5013929485242 |
ESOTERIC |
CD |
ECLEC62852 |
2024/03/29 |
Canned Heat |
Finyl Vinyl
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March 29 street date. Founded in 1966, Canned Heat rose to fame because their knowledge and love of blues music was both wide and deep. They secured their niche in rock 'n' roll history with their performances at the 1967 Monterey Pop Festival and a headlining slot at the original Woodstock Festival in 1969. Now, more than fifty years later and with forty albums to their credit, Canned Heat is still going strong. They have been anchored throughout the past fifty-three years by the steady hand of drummer/band leader and historian, Adolfo "Fito" de la Parra. Guests on "Finyl Vinyl" include Joe Bonamassa and Dave Alvin.
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Rock/Blues |
710347130925 |
RUF RECORDS |
CD |
RUF1309 |
2024/03/29 |
Canned Heat |
Finyl Vinyl
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March 29 street date. Founded in 1966, Canned Heat rose to fame because their knowledge and love of blues music was both wide and deep. They secured their niche in rock 'n' roll history with their performances at the 1967 Monterey Pop Festival and a headlining slot at the original Woodstock Festival in 1969. Now, more than fifty years later and with forty albums to their credit, Canned Heat is still going strong. They have been anchored throughout the past fifty-three years by the steady hand of drummer/band leader and historian, Adolfo "Fito" de la Parra. Guests on "Finyl Vinyl" include Joe Bonamassa and Dave Alvin.
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Rock/Blues |
710347209515 |
RUF RECORDS |
LP |
RUF2095 |
2024/03/29 |
Carter, Ron |
Where? (Original Jazz Classics Series) |
Jazz |
888072555488 |
CRAFT |
LP |
CR00718 |
2024/03/29 |
Chaney, Olivia |
Circus Of Desire
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March 29 street date. "Circus Of Desire" is the much anticipated third studio album from Grammy-nominated folk singer-songwriter Olivia Chaney. Worked up over five eventful years, this collection of lovingly wrought songs was recorded in NYC with long-time collaborator, producer and musician Thomas Bartlett (David Byrne, Sufjan Stevens, The National, St. Vincent, Father John Misty). Consisting of ten originals and one cover (a revoicing of Dory Previn's haunting ballad ‘Lady with the Braid’), this album is Olivia set free. Taking their departure from real life experiences, these songs strain towards the universal. Whilst staying true to her folk roots, Olivia enters new musical territories with "Circus Of Desire", venturing into the realms of pop and dance. The record features cameos from a number of friends, including string arrangements by Nico Muhly and banjo and guitar from Sam Amidon. The result of this rich blend of musical influences is an album that looks honestly, sometimes despairingly, but primarily hopefully at the carnival that is life.
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Folk |
5056032381384 |
SELF-RELEASED |
CD |
OC002CD |
2024/03/29 |
Chaney, Olivia |
Circus Of Desire
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March 29 street date. "Circus Of Desire" is the much anticipated third studio album from Grammy-nominated folk singer-songwriter Olivia Chaney. Worked up over five eventful years, this collection of lovingly wrought songs was recorded in NYC with long-time collaborator, producer and musician Thomas Bartlett (David Byrne, Sufjan Stevens, The National, St. Vincent, Father John Misty). Consisting of ten originals and one cover (a revoicing of Dory Previn's haunting ballad ‘Lady with the Braid’), this album is Olivia set free. Taking their departure from real life experiences, these songs strain towards the universal. Whilst staying true to her folk roots, Olivia enters new musical territories with "Circus Of Desire", venturing into the realms of pop and dance. The record features cameos from a number of friends, including string arrangements by Nico Muhly and banjo and guitar from Sam Amidon. The result of this rich blend of musical influences is an album that looks honestly, sometimes despairingly, but primarily hopefully at the carnival that is life.
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Folk |
5056032381391 |
SELF-RELEASED |
LP |
OC002LP |
2024/03/29 |
Charlottes |
Are You Happy Now (clear vinyl + poster)
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March 29 street date. Part of the Optic Sevens 5.0 Reissue Series . Limited to 500 copies worldwide. Pressed on clear vinyl. Includes poster. Hard to find debut single originally released on Molesworth Records in 1988. The Charlottes formed in Huntingdon, Cambridgeshire after drummer Simon Scott met guitarist Graham Garduilo in local band The Giant Polar Bears . They were tour buddies to Ride and most of the late 1980s shoegaze bands. Simon Scott was stolen by Slowdive after a gig at the White Horse in Hampstead in 1990, where the Boo Radleys opened the three-band bill. They split after releasing two albums. John Peel loved them and NME gave debut album Lovehappy 9 out of 10.
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Rock/Pop |
5065010051348 |
OPTIC NERVE |
7" |
ON508EP |
2024/03/29 |
Chastity Belt |
Live Laugh Love
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March 29 street date. In their decade-plus together, Chastity Belt have created a resonant body of work. "Live Laugh Love" is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years, the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. "Live Laugh Love" finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song.
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Alternative |
803238022222 |
SUICIDE SQUEEZE |
CD |
SSQ222 |
2024/03/29 |
Chastity Belt |
Live Laugh Love (180g-cloudy coloured)
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March 29 street date. In their decade-plus together, Chastity Belt have created a resonant body of work. "Live Laugh Love" is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years, the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. "Live Laugh Love" finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song.
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Alternative |
803238022215 |
SUICIDE SQUEEZE |
LP |
SSQ222LPC1 |
2024/03/29 |
Chicano Batman |
Notebook Fantasy (white vinyl) |
Alternative |
880882606817 |
ATO |
LP |
0882606817 |
2024/03/29 |
Chicano Batman |
Notebook Fantasy |
Alternative |
880882607227 |
ATO |
CD |
0882607227 |
2024/03/29 |
Claraguilar |
Figura
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March 29 street date. After her acclaimed EP Mystery is All, Lapsus presents Figura, Claraguilar's debut album, a heartfelt tribute to her connection with the scenic world. Figura is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.
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Electronic |
4062548083750 |
LAPSUS |
LP |
LAPSUS038LP |
2024/03/29 |
Climie Fisher |
Coming In For The Kill (4CD expanded edition)
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February 23 street date. Climie Fisher were the British pop duo consisting of vocalist Simon Climie and former Naked Eyes keyboardist Rob Fisher. ‘Coming In For The Kill’ is the duo's sophomore album. It was released in October 1989 after the international success of ‘Everything’, their debut album. This 4CD deluxe edition of ‘Coming In For The Kill’ includes the ten songs that appeared on the original album alongside 38 bonus tracks featuring singles, B-sides, remixes, edits, alternate versions, demo recordings, instrumentals, and more. A beautifully packaged set that includes five songs that appear on CD for the first time, as well as 16 previously unreleased tracks.
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Pop |
5013929444683 |
CHERRY POP |
CD |
QCRPOP4BOX246 |