May 1 street date. This EP, composed, produced and performed by Gabriel Garzón-Montano, includes "6 8", which has been sampled by Drake on his track "Jungle" as well as "Glow" from his project "More Life". Other tracks from this EP such as "Keep on Running" and "Pour Maman" have been sampled by artists such as G-Eazy, Faye Webster, H.E.R, and Jacquees.
October 2 street date. On Gabriel Garzón-Montano's new record, there are no outside producers. No ghostwriters.No gimmicks. No games. Nadie más. Just Gabriel. This will come as no surprise to those who've followed GGM since 2014's "Bishouné: Alma Del Huila", the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's "Jardin", melded classical and folkloric instruments with r&b, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. "Agüita", his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. "Agüita" stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness.
October 2 street date. On Gabriel Garzón-Montano's new record, there are no outside producers. No ghostwriters.No gimmicks. No games. Nadie más. Just Gabriel. This will come as no surprise to those who've followed GGM since 2014's "Bishouné: Alma Del Huila", the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's "Jardin", melded classical and folkloric instruments with r&b, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. "Agüita", his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. "Agüita" stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness.
October 2 street date. On Gabriel Garzón-Montano's new record, there are no outside producers. No ghostwriters.No gimmicks. No games. Nadie más. Just Gabriel. This will come as no surprise to those who've followed GGM since 2014's "Bishouné: Alma Del Huila", the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's "Jardin", melded classical and folkloric instruments with r&b, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. "Agüita", his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. "Agüita" stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness.
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