May 10 street date. “Mayday is an album that keeps on giving; every listen reveals additional nuances and every visit to the end- groove invites a return to the start.” -Lucy Sante In May 2024, Myriam Gendron comes back with her third full-length record, aptly titled Mayday. On Mayday, the artist showcases her love of traditional folklore music, drawing inspiration from the Appalachian variant of an English Christmas carol (“Lully Lullay”) and French Canadian sea shanties alike (“La belle Françoise (pour Sylvie)”). But the album is just as much an endorsement of Gendron’s talent as a singer-songwriter, as her bold poetic voice and musical arrangements shine on tracks such as country-folk ballad “Long Way Home”, rock and jazz infused closer “Berceuse”, cinematic 6-minutes long “Terres brûlées” or heartwarming instrumental interlude “La Luz”. On Mayday, she sings in both English and French, paying homage to various traditions across North America. Music critic Byron Coley writes: “Myriam has privately described the mood of Mayday as dark, in part due to the fact it was assembled after her mother’s passing, but she is always capable of balancing and blending emotional content in a way that makes it ultimately hopeful.” The album benefits from the precious contributions of renowned artists, collaborators and friends of Myriam, amongst which we can name Marisa Anderson, Jim White (‘Dirty Three’), Cédric Dind-Lavoie, Bill Nace and Zoh Amba.
May 10 street date. “Mayday is an album that keeps on giving; every listen reveals additional nuances and every visit to the end- groove invites a return to the start.” -Lucy Sante In May 2024, Myriam Gendron comes back with her third full-length record, aptly titled Mayday. On Mayday, the artist showcases her love of traditional folklore music, drawing inspiration from the Appalachian variant of an english Christmas carol (“Lully Lullay”) and french canadian sea shanties alike (“La belle Françoise (pour Sylvie)”). But the album is just as much an endorsement of Gendron’s talent as a singer-songwriter, as her bold poetic voice and musical arrangements shine on tracks such as country-folk ballad “Long Way Home”, rock and jazz infused closer “Berceuse”, cinematic 6-minutes long “Terres brûlées” or heartwarming instrumental interlude “La Luz”. On Mayday, she sings in both English and French, paying homage to various traditions across North America. Music critic Byron Coley writes: “Myriam has privately described the mood of Mayday as dark, in part due to the fact it was assembled after her mother’s passing, but she is always capable of balancing and blending emotional content in a way that makes it ultimately hopeful.” The album benefits from the precious contributions of renowned artists, collaborators and friends of Myriam, amongst which we can name Marisa Anderson, Jim White (‘Dirthy Three’), Cédric Dind-Lavoie, Bill Nace and Zoh Amba.
May 10 street date. “Mayday is an album that keeps on giving; every listen reveals additional nuances and every visit to the end- groove invites a return to the start.” -Lucy Sante In May 2024, Myriam Gendron comes back with her third full-length record, aptly titled Mayday. On Mayday, the artist showcases her love of traditional folklore music, drawing inspiration from the Appalachian variant of an english Christmas carol (“Lully Lullay”) and french canadian sea shanties alike (“La belle Françoise (pour Sylvie)”). But the album is just as much an endorsement of Gendron’s talent as a singer-songwriter, as her bold poetic voice and musical arrangements shine on tracks such as country-folk ballad “Long Way Home”, rock and jazz infused closer “Berceuse”, cinematic 6-minutes long “Terres brûlées” or heartwarming instrumental interlude “La Luz”. On Mayday, she sings in both English and French, paying homage to various traditions across North America. Music critic Byron Coley writes: “Myriam has privately described the mood of Mayday as dark, in part due to the fact it was assembled after her mother’s passing, but she is always capable of balancing and blending emotional content in a way that makes it ultimately hopeful.” The album benefits from the precious contributions of renowned artists, collaborators and friends of Myriam, amongst which we can name Marisa Anderson, Jim White (‘Dirthy Three’), Cédric Dind-Lavoie, Bill Nace and Zoh Amba.
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