September 24 street date. Don Letts' slippery and unorthodox career is somewhat hard to define, without taking a few detours around London, New York, and Jamaica. He began his working life managing the dauntingly hip Acme Attractions on Chelsea's Kings Road, where he made a mark with his attitude, dress and, especially, the pounding dub reggae that vibrated the shop’s walls. His first gig as a DJ at the short-lived Roxy in Neal Street, became mythical for turning a generation of punks on to reggae. In the 1980s, he was part of Mick Jones’ new venture, Big Audio Dynamite and his innovative use of samples were a core part of their sound. This version excursion crosses time space and genre, with reggae and dub artists (and artists influenced by reggae and dub) such as John Holt, Khruangbin, Ghetto Priest, OBF, and Matumbi covering tracks from from The Beach Boys to The Beatles, Nina Simone to Marvin Gaye, The Bee Gees to Kool & The Gang, The Clash to Joy Division, and beyond.
September 24 street date. Don Letts' slippery and unorthodox career is somewhat hard to define, without taking a few detours around London, New York, and Jamaica. He began his working life managing the dauntingly hip Acme Attractions on Chelsea's Kings Road, where he made a mark with his attitude, dress and, especially, the pounding dub reggae that vibrated the shop’s walls. His first gig as a DJ at the short-lived Roxy in Neal Street, became mythical for turning a generation of punks on to reggae. In the 1980s, he was part of Mick Jones’ new venture, Big Audio Dynamite and his innovative use of samples were a core part of their sound. This version excursion crosses time space and genre, with reggae and dub artists (and artists influenced by reggae and dub) such as John Holt, Khruangbin, Ghetto Priest, OBF, and Matumbi covering tracks from from The Beach Boys to The Beatles, Nina Simone to Marvin Gaye, The Bee Gees to Kool & The Gang, The Clash to Joy Division, and beyond.
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2021/09/24
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