June 25 street date. "I Know I'm Funny haha" is Faye Webster's most realized manifestation yet of her emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut "Atlanta Millionaires Club", Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R&B community. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical story-songs. Webster says she's in a growth mindset, pushing herself to learn more, to be more vulnerable. Includes "Better Distractions", which landed on Barack Obama's 2020 end of year playlist.
June 25 street date. "I Know I'm Funny haha" is Faye Webster's most realized manifestation yet of her emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut "Atlanta Millionaires Club", Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R&B community. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical story-songs. Webster says she's in a growth mindset, pushing herself to learn more, to be more vulnerable. Includes "Better Distractions", which landed on Barack Obama's 2020 end of year playlist.
March 1 street date. Faye Webster's songs are direct lines to the human subconscious, and "Underdressed At The Symphony" documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn't flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there's a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she's navigating the contours of heartbreak itself. Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on "Underdressed At The Symphony" by Matt Stoessel's arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco's Nels Cline, among many other crucial players. The title of the album refers to Webster's post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second.
March 1 street date. Faye Webster's songs are direct lines to the human subconscious, and "Underdressed At The Symphony" documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn't flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there's a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she's navigating the contours of heartbreak itself. Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on "Underdressed At The Symphony" by Matt Stoessel's arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco's Nels Cline, among many other crucial players. The title of the album refers to Webster's post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second.
March 1 street date. Faye Webster's songs are direct lines to the human subconscious, and "Underdressed At The Symphony" documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn't flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there's a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she's navigating the contours of heartbreak itself. Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on "Underdressed At The Symphony" by Matt Stoessel's arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco's Nels Cline, among many other crucial players. The title of the album refers to Webster's post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second.
June 25 street date. "I Know I'm Funny haha" is Faye Webster's most realized manifestation yet of her emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut "Atlanta Millionaires Club", Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R&B community. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical story-songs. Webster says she's in a growth mindset, pushing herself to learn more, to be more vulnerable. Includes "Better Distractions", which landed on Barack Obama's 2020 end of year playlist.